Exclusive: Jon Abrahams says “No-one and Nothing is Safe” for Scary Movie 6!

For an entire generation of horror comedy fans, Jon Abrahams does not need an introduction. The moment his face appears on screen, the quotes come flooding back. The timing. The awkwardness. The oblivious charm. Bobby from Scary Movie is etched into pop culture history, and more than two decades later, Abrahams is stepping back into that world with Scary Movie 6, promising one thing above all else. Nobody is safe.

Speaking with Movieland, Abrahams reflects on a career that began not with ambition, but with accident, luck, and an openness to say yes when the right door appeared.

“I never set out to be an actor,” he admits. “That wasn’t the plan at all.”

Abrahams grew up in downtown Manhattan, immersed in visual art, cinema, and creative culture from an early age. His father worked as an animator and was deeply passionate about special effects, monsters, and filmmaking long before MTV reshaped pop culture. Movies were not just entertainment in the Abrahams household. They were a language. That language would change his life in 1995 when Larry Clark and Harmony Korine were casting Kids. Wandering Washington Square Park, the filmmakers approached local teenagers, including Abrahams, asking if they wanted to audition.

“We were just kids hanging out,” he says. “None of us thought it would become what it became.”

The film exploded. An uncompromising, defining piece of 90s independent cinema, Kids launched Abrahams into the industry almost overnight.

“If it wasn’t for that movie, I wouldn’t be talking to you right now.”

Though acting was not his original goal, it became the door that opened everything else. Suddenly, he was working consistently, moving through indie films, studio projects, and comedies with a natural ease that felt unforced. By the late 90s, Abrahams was working frequently with Miramax and Dimension Films. After Outside Providence gained attention for his comedic chops, studio executives approached him on the set of Texas Rangers with a strange proposition.

“There’s this movie,” they told him. “Nobody wants to do it.”

The working title was Scream If You Know What I Did Last Halloween. It was a horror parody at a time when parody films were considered risky, outdated, and potentially career damaging. But one name changed everything. “The Wayans family,” Abrahams says. “The moment they said that, I was in. He flew to Los Angeles to meet Keenen Ivory Wayans and did not bother hiding his enthusiasm. “I was fangirling,” he laughs. “I told him I owned the soundtrack to I’m Gonna Git You Sucka on vinyl.” Wayans had already seen Outside Providence and offered Abrahams the role almost immediately. Bobby was born.

What many fans do not realise is how collaborative Scary Movie truly was. The cast rehearsed for a full week before shooting, an unusual luxury for a comedy film.

“We filled out questionnaires in character,” Abrahams explains. “What your character does on holidays, what they like, how they behave.”

Those answers shaped the final script. Bobby became a hybrid of Skeet Ulrich’s Billy Loomis and Freddie Prinze Jr’s clean cut leading man archetype. The humour worked because it was grounded in recognisable horror logic. Even some of the most iconic lines were improvised. “That whole bit about saying goodbye to all the people in the van,” Abrahams says. “That was off the top of my head.”

Despite the absurdity around him, Bobby functioned as the straight man, reacting rather than performing. “My job was not to be funny,” he explains. “My job was to let everyone else be funny.” Scary Movie did not just succeed. It detonated. It revived parody cinema, launched a franchise, and reshaped how horror could be approached through comedy.

“I knew it was good,” Abrahams says, “but I didn’t know it would become that.”

The success was so complete that many younger viewers saw Scary Movie before Scream, leading to the surreal experience of watching Wes Craven’s original as if it were parody. “I hear that all the time,” Abrahams says. “People think Scream is parodying us.” While later sequels diluted the formula, Abrahams is clear about where the heart of the franchise lies.

“The first two films,” he says. “That’s the gold.”

Now, with Scary Movie 6, Abrahams is stepping back into a world that feels less like a set and more like family. “It was emotional,” he admits. “Seeing Anna again after 25 years. Being back with everyone.” The Wayans family atmosphere remains intact, with multiple generations now involved both in front of and behind the camera. “It really is a family,” he says.

So what can audiences expect from Scary Movie 6?

“No one and nothing is safe,” Abrahams says. “We are not holding back.”

In a modern landscape shaped by online outrage and cultural sensitivity, Abrahams believes the only way comedy survives is by offending everyone equally. Abrahams also holds a special connection to Australia, having spent nearly five months on the Gold Coast filming House of Wax. The production was massive, detailed, and immersive, including an entire town built in sugarcane fields and fully dressed sets coated in wax.

Speaking about Meet the Parents, “It felt like I was floating on air, being on set with Robert De Niro and Ben Stiller,” he says, noting he could sense it would be a huge success. Abrahams also spoke warmly about Masterminds, calling it a personal favourite, filming alongside Vincent Kartheiser and Patrick Stewart. He recalled this film led him to get a blink and you’ll miss it cameo in Star Wars: Episode I – The Phantom Menace, a flex he carries close to his heart.

From Kids to Meet the Parents, from parody king to horror mainstay, Jon Abrahams has built a career defined by instinct rather than strategy. “I just wanted to be part of something,” he says. “A group. A repertory.” With Scary Movie 6, he is exactly where he belongs.

And if history tells us anything, we should probably be worried.

Because once again… nobody is safe.

Watch the extended video interview on our YouTube channel, with hours of content. Don’t forget to be kind, rewind!